Craig Raine’s ‘Gatwick’: the reply
by isabelrogers
This will make no sense unless you’ve read Craig Raine’s poem Gatwick in the London Review of Books. I felt compelled to reply.
That dick
I
Craig Raine sold his pride by chance. But the trick
is spending so much time on that dick.
II
My booth is the border
through which
this snake
must coil around my retractable
queuing barrier.
Now his passport droops as he comes
unable to keep it up.
I glance and frown,
the old man’s nostrils
need trimming. I hide
behind my screen.
And then he coughs.
I look up from my desk. He smirks and says
‘Craig Raine. The poet.’
In less than half a minute
I can be rid of him.
Does he think we all did MAs in poetry
in the immigration service?
I want
to take the piss.
But I can’t.
Why is he
so up himself?
It’s hysterical.
He’s too close. One eye rheumy.
He has come
to torture me with his back catalogue.
He breathes simultaneously humming
without self-control. How lame.
III
He is maybe 73
like a sloth in a tree,
lurking, leching, dribbling,
shuffling, lost in his myth-making.
I want to say
the way you leer is not
ok. You make me cross,
you blunder, without piercing the irony
you white male poets
imagine is a perfect bubble.
I want to say, hey,
I like your poems.
But I don’t get how they’re good.
This family of generic stereotypes
sit in different seats
because occupying identical space-time
is impossible. Even on the Gatwick-Oxford bus.
I want to say I hate your weird lines.
Which you try to disguise with bad rhymes.
I’d like it shorter by half.
I want to say,
you’re so crap today
it’s almost painful.
For most of us.
And slightly disdainful
to our sweated line breaks,
careful, enjambed creatures.
But you have now sold out,
(entirely, and with great fuss,
because it makes financial sense)
and have the cat’s-arse features
of no other.
(I choose to ignore
his blatant penis, small bore,
and the two-faced hearse
of his lumpen verse.
Which is duller and slower
and also a sodding imploder.)
I can say these things, I say,
because I am a poet and getting bored.
And of course, I did,
but won’t he please be silent?
LRBd, with thought unmoored.
Nicely done, lady 🙂 x
Thank you! I felt his spirit course through my pencil. As it were.
You were far too kind!
I like to think of it as restrained …
I salute you.
*bows* Thank you!
You all miss the point of poetry. Sadly. You come across as smug and bullying. Very sadly.
I agree with you wholeheartedly.
I agree with Jo. This is just piece of bullying. Personal and vitriolic.
I thought this response was amusing in parts and better written than the original but ultimately dispiriting for reasons already stated. The culture of public shaming online has gotten so bad that I find myself feeling sorry for the targets, even if they genuinely deserve it. (I’d say more but I need to rush to a mirror as this poem has made me seriously concerned about my nasal hair.)
Your reaction (and the reactions of so many others, in volume and in passion) goes to show what a superb poem Gatwick is. Do you suppose that the experiences the narrator describes are not the routine, everyday musings of so many ordinary people? People who can not usually express themselves this well? Has the poem given you an insight to their lives? An idea how they feel? I’m not saying you should like them. Maybe you want to eliminate them – it seems so. But you can’t deny that reading Gatwick has confirmed your predudices, or aroused your anger, or moved you to speak up – all the things that good art should do.